Here in the park with our twins,
James and Sam,
we chew over the merits
of dandelion clocks and daisies.
In the mid-distance a plastic bag
vaults into the air, hangs - momentarily -
then shilly-shallies across the blue haze
of the box trees.
It flips again, up, over and over
through cornea, humour, lens
and the back-projected retina
to the optic nerve where it flares
a pure white negative space
dancing
beyond the dull fact of itself
like a soul, as Anaximenes would have it,
floating on air.
And so it is:
hard pressed upon the earth,
you feel defined by the absolute
weight of gravity and light;
as if that blue space between the trees
is the only glue holding it all together.
So many years I've tried to grasp
the significance of all this
only to find my hands cannot bear the brunt
of these shifting absences,
just as a bag cannot bear the weight
of its own airy nothingness forever:
now caught in the damp twist of roots.
A dog flits by
licking sunlight from the grass;
James looks up warily
from dog to Sam and then to me,
a minor distraction,
as we get on
with the looking at
and the naming of things.
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